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Important albums:
Chapman was a keen rock fan,
especially of Todd Rundgren, and he would listen to the albums non-stop and learn all the
lyrics off by heart. He would also study the album covers for clues.
He was intrigued by the mirror imagery of
Todd's "A Wizard/A True Star"

and was aware that Todd Rundgren had used
televisual concepts throughout his recording career. These were what Chapman
picked up as special signals beamed especially to him, like a programme
being broadcast for him to receive. The "Voyage To Utopia" album even had a
kind of "test card" as its inner sleeve, as if Chapman was being told to
fine tune his reception and wait for the signal to get clearer.

Finally, in November of 1980, just a few
days before the murder, Todd released "Deface The Music". It was both a
send-up of the "With The Beatles" album cover from 1963, and a crude parody
of the Beatles' songs.

The two albums were
mirror images of each other, and to Chapman, this new signal was clear - de-face the music
of the Beatles, or de-face (destroy) one of the Beatles.

Before the murder,
Chapman left an arrangement of special articles in his hotel room, including tapes of Todd
Rundgren's "Runt" album. The cover clearly shows a pianist with a noose round
his neck, and hints of suicide or execution - the cover is also chillingly close to the
famous image of Lennon playing "Imagine" on his piano.

Mark Chapman
interpreted the album design as a sign that John Lennon must die.
When John Lennon released his "Double Fantasy" album
late in 1980, Mark Chapman listened carefully to the lyrics and scrutinised
the cover design. His fantasy was that he had become John Lennon's
double...and the lyrics suggested Lennon was trying to become the new
"Catcher in The Rye" - which is a role Chapman reserved for himself.
The album features songs about driving the monsters
away, about protecting the children from harm - just like the "Catcher"
could do.

Lennon promoted the album as a coming together of East
and West, of man and woman - Chapman saw it as a coming together of all the
signs and signals.
And there on
the dark, brooding cover was the kiss of betrayal, the Judas kiss of a
phoney. The signals were getting stronger by
the day. |